These images were created with already outdated technology, an extreme low resolution flipcamera phone, of images printed in magazines or books. Like portrait paintings of forgotten ancestors in a once grand stately hall, history has already created several haunting layers of anonymity around the subject, the image, and the source creator. Reprinted large format on soft watercolour paper with rich inkjet pigments, the images take on a second nature. Made tangible again, the overextended pixels reveal multi chromatic passages that mimic painterly mark making and transmute a technology driven process into a lush material experience.